“They’ll catch a horse, ride him bareback and terrorize the community. They’ll beat people up and drag them behind the horses. These are young boys, like 11 and 12.” Becky Sotherland, tribal police officer On a recent night, Sotherland looped and weaved behind a group of houses, each in the non-descript style common on the reservation. She prefers to patrol her beat on foot as It’s easier to get the drop on unsuspecting drinkers and other lawbreakers, she says. She steps lightly and always carries a stash of doggy treats for the guard dogs and ferals that are common in the more populated areas of town.
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This poem is written as a dramatic monologue: the entire poem is spoken by a single character, whose identity is revealed by his own words. The lines are in blank verse, or unrhymed iambic pentameter, which serves to impart a fluid and natural quality to Ulysses’s speech. Many of the lines are enjambed, which means that a thought does not end with the line-break; the sentences often end in the middle, rather than the end, of the lines. The use of enjambment is appropriate in a poem about pushing forward “beyond the utmost bound of human thought.” Finally, the poem is divided into four paragraph-like sections, each of which comprises a distinct thematic unit of the poem.